This course uses both visual and aural acquisition as sketching tools in exploring content selection, juxtaposition and space to find and make meaning as a cinema practitioner. The ideation process includes conceptualization through writing as well as storyboarding, prototyping with paper and pencil, and other previsualization methods. Using a variety of cinematic, visual and aural techniques, we explore the relationship between shots by curating images and sound that then requires interaction with an audience through critique and discussion.